‘Uaimh’ Catalogue Essay, by Caoimhín Mac Giolla Léith, March 1997
“The dark recesses which provide the focus of these paintings are at once inviting and forbidding…”
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‘Uaimh’ at Kerlin, Sunday Tribune, 30 March 1997
“…O’Dowd is using the notion of the void, a nothingness at the heart, to draw us into the paintings.”
‘Uaimh’ at Kerlin, Sunday Times, 30 March 1997; by Medb Ruane
“Painterly steel in a deceptively velvet glove.”
Press Release, ‘Uaimh Series’, Kerlin, 1997
“For O’Dowd, these forms represent the link between what is and what was.”
‘Uaimh’ at Kerlin, Irish Times, March 1997; by Brian Fallon
“…the forms have more weight, mystery and concentration in themselves and often reach out almost into abstraction.”
Gwen O’Dowd, Project Arts Centre, Dublin, 31 January – 26 February 1984; Circa Art Magazine, #15, 1984, p. 18; by Aidan Dunne
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