‘Limen’, Irish Times, 5 November 2019; by Aidan Dunne
“…they do have a wonderful poise, nonetheless, a hard-won magisterial calm.”
“…they do have a wonderful poise, nonetheless, a hard-won magisterial calm.”
“…each image seems alive – poised for transformation.”
“What they offer is a rich variety of near-abstract images with sky, sea and shore juxtaposed ambiguously for our visual delectation.”
“The work encompasses both the Rothko-esque sublime, with several exceptionally minimal compositions, and O’Keeffe’s evocation of nature and sexuality.”
“…the works are microcosms of a larger world and expressions of emotions and moods and explorations of aspects of that world.”
“…she is exploring a subject that suits her perfectly.”
“And although the water is obviously captured in the midst of forceful motion, the paintings exude a stillness, they bring us to a point of rest.”
“…she focuses inwards rather than outwards.” (full article here)
“It’s a commanding, sombre, monumental, intriguing piece…”
“Gwen O’Dowd conveys poetic ideas also found in Irish legends of the Otherworld.”
“The dark recesses which provide the focus of these paintings are at once inviting and forbidding…”
“…O’Dowd is using the notion of the void, a nothingness at the heart, to draw us into the paintings.”
“Painterly steel in a deceptively velvet glove.”
“For O’Dowd, these forms represent the link between what is and what was.”
“…the forms have more weight, mystery and concentration in themselves and often reach out almost into abstraction.”
“She is … a painter of strong intuition and obvious ability.” The full article is here.